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Fri, 25 Jan 2013  /  3 Comments
Laurie Osborne talks about the early days of dubstep, his personal history and the charm of "scratchy" "weird sounding" productions in this video interview.
Mon, 21 Jan 2013  /  Post a comment
We had a warm interview and talked about the good days of Skull Disco and the exciting current present tense of Apple Pips, his own label.
Returning to Japan after four years, his first time in South America, Shackleton being one of his main influences and the story of, 'an unsung hero in the UK music history', remarking some of the most important moments/places/parties that were essential in his growth as a deejay. This is hot stuff, read on..
Sun, 14 Aug 2011  /  1 Comment
Bristol, FWD>>, Apple Pips and house music all come up in this lengthy discussion between Laurie Osborne and LWE's Chris Miller.
Fri, 04 Mar 2011  /  4 Comments
The Bristol DJ/producer stops by the fabric blog, filling them in on all his and Apple Pips' movements, and also offers up a 19-track mix chocked full of unreleased material.
Sat, 02 Oct 2010  /  15 Comments
The Apple Pips man offers up a wonderfully skewed take on house, techno, dubstep and hip-hop for Burlington Project.
Tue, 01 Jun 2010  /  3 Comments
The Apple Pips boss discusses UK funky, his new studio purchases and clearing Space Ibiza's dance floor.
Thu, 01 Apr 2010  /  Post a comment
Pop over to Juno Plus to listen to the Skull Disco man's set, recorded live at matter in January.
Sat, 13 Mar 2010  /  Post a comment
Appleblim has picked five records of his collection for FactMagazine. And some run far from dubstep ...
Tue, 02 Feb 2010  /  2 Comments
Recorded two weeks ago on the RBMA Radio stage at the Eurosonic Noorderslag festival in Groningen, hear Bristolian selector Laurie 'Appleblim' Osborne rip through an hour of future bass sounds.
Tue, 24 Feb 2009  /  2 Comments
Appleblim's RA podcast
gets featured in the New Yorker magazine, with a little chat from the man himself. Better late then never, eh?
Sat, 04 Oct 2008  /  Post a comment
The dubstepper talks for nearly two hours about his music, his upbringing and the end of Skull Disco.