Biography of Tee |  |
| Real name / | Tadeus Mucelli |
BELO HORIZONTE experienced the beginnings of electronic music from the end of the 80s', and walked the 90s' with important pioneers, such as festivals, night clubs and DJS.
But in 2001? You remember or heard of Rave Airport in Confins? The Hipnotik? A celebration of Brazil's most commented on the small electronic scene developing at the time.
And the Agency “filter” for DJS , or the party boiled "join the house"? Of names such as Chris Liebing (Germany) among others?
".... When I looked at the clock and saw it was 9 am and 5 had about one thousand people still, I thought: It worked! "
Well, the name behind this is the DJ TEE. Now back to active, as DJ / producer and LIVE music, which has just launched a album with 14 tracks on his own label phonographic, Conteudo Records.
Yes, the boy at that time had its 20-year-old devised and carried out the Rave Hipnotik in full track of the airport landing Confins (international airport), in the presence of more than 7 thousand to 35 km from Belo Horizonte and more than 12 hours programming with national and international names.
yes! Ok! Normal in this day and age? No. Do not look that this was done in 2000, when electronic music was something of a "ghetto" who was discriminated, where events of rock, Brazilian music “micaretas - carnival” dominated the night's entertainment of the city .
Then comes the boy of twenty or so years that started his career as a DJ playing, part no doubt the beginning of the opening a new generation of the scene, which is placed next to other time we could say that would be the 2nd generation (The first generation was the DJ Anderason Noise (Brazilian) , in the same city)
After that, it is great story to tell! Since the establishment of the first agency to DJS mining at the time that only existed in the São Paulo Smartbiz and Hypno, current 3 plus. The filter was the first agency outside of Sao Paulo and helped to professionalize the DJs of the city. It has in its "cast" more than 15 names.
The trajectory of DJ TEE will inevitably be confused with the advent of electronic scene of BH, but is best as part of a new generation of people who believe and the city, from the years 2000 until this day.
"I always made to because I actually play and show a different sound, had no other way, but just realizing that I could do competent and events took forward ...."
During certain period, the name of the DJ has always been associated with the Brazilian scene Undergound as the coming of Lov.e tour (of the extinct Lov.e club of Sao Paulo, one of the most important clubs of Brazil), where he stepped into the BH opportunity ,
Names of House and Techno national, who did the conceptual “paulistana” scene.
Even before the boom of house music, names of various corners of the country in supporting BH, thanks to the pioneering work of the filter agency in time that night clubs do not invest in attractions.
Speaking only of the more artistic side, as DJ, TEE was the second DJ of state to have a residence in São Paulo monthly for 1 full year, the club and more underground pioneer, A Loca CLUB, in central Sao Paulo.
Disco alongside national names that go to the Mau Mau and international ranging from Dave Mothersole (kissfm / uk, icon of the beginning of the English scene) at Matthias AGUAYO (Kompakt, conceptual current name) or Cris Liebieng (Germany) and More than 100 names of national and international.
"... With time, listening to guys like Laurent Garnier, Richie Hawtin, Dave Mothersole, , I was realizing that I like a lot but everything I play has a certain connection you can call a sound more" underground "in relation to what is currently playing ... "
It is also one of the few Brazilians who played in DJS most important conceptual clubs and undergrounds of the country, like D-edge, Lov.e, A Loca, Fosfobox, Dama de Ferros, Hype, and festivals such as the conceptual Eletronika, among other events.
"In 2003 I decided to give a stop and rethink everything, because everything seemed to have no more sense to me ...."
In the middle of 2003, DJ TEE is disconnected from all its activities against its agency of DJS. I wanted to be focused on the artistic side, so it always took him to do everything, not the bureaucracy and logistics of parties, agencies, DJs and more.
"I Dj, before everything, even to be music producer, as now, and I wanted to go back to my music, because it was far from the truth ..."
He then concentrated his efforts in the assembly of your Home Studio. And gave results! Passing almost the whole year of 2004, hibernating in the studio, DJ TEE sets from the left side and developed his poetry and songs that take the influences of the 9 years of discotecagem for much of the underground scene of the country
Since the creation of one, and several of its new "alter-egos" or aliases if you like, four singles were released by the label URBR, three EP'se an LP with seven tracks by Canadian Subtropical Records label, and an EP on his own seal; Content Records.
In addition to his new job that has just launched, which is the album "pseudomine," with 14 tracks. Also recently completed for the Remix of the tracks Movie 5 fractions.
Among his works we can find the signature of DJ TEE disguised in shades of techno in "3NITY" as in the recent album pseudomine, but also delves into the character of the melodic experimentalism "Frantznn Krupp" or to interact with double sensorially "ADDD", your project audio and video in sync, along with VJ 1mpar.
"I am troubled! I can not do the same thing all the time. Artistically I need always to be changing,... "
Looking at the timeline of the Artist, DJ, Music Producer, Producer and Director of Cultural phonographic label, is easy to see that the movement is its fuel.
In 2009 the artist complete 10-year career, accumulating functions as the artistic direction of two important festivals for the capital's cultural scene as the BPM, and Lives of festival shows independent electronic artists, and FAD, Festival de Arte Digital, beyond pioneering work of its netlabel which gained prominence in the first page of the Main Newspaper of Brazil “Ilustrada Folha de São Paulo”, and its artistic audiovisual projects