Terre Thaemlitz talks to The Quietus about the implications of, and motivation behind, his newly-released Soullessness project, which contains, among other things, a 29-hour mp3 file.

In a column for The Wire, Terre Thaemlitz (AKA DJ Sprinkles, K-S.H.E.) outlines his frustrations with online culture and how it has affected music distribution and consumption. He also discusses Soulnessless, his 30-hour album designed to sidestep these issues.

Upon the reissue of his K-S.H.E album, Terre Thaemlitz discusses the non-musical influences that inform his work, including Spinal Tap, Dr. Katz, roller disco and religious bigots.

Saturday March 26 tune in to www.play.fm from 6-8 CET for a special album presentation of Kami-Sakunobe House Explosion (K-S.H.E. aka DJ Sprinkles aka Terre Thaemlitz) plus an exclusive mix from Skylax label head Hardrock Striker.

Terre chats with Dancity about his music and comunication approach

Terre Thaemlitz interviewed by NPR about gender, distribution, and soulnessless.

RBMA Radio do their fireside chat thing with Terre Thaemlitz, who talks about his life in music to the tune of his finest works.

In an open letter to the press, Terre Thaemlitz alleges that Beatport et al are selling illegally distributed files from the original back catalog of Achim Szepanski's influential label.

RA's Todd L. Burns chats to Terre Thaemlitz at this year's Red Bull Music Academy about his background, musical styles, and the references in his material.

RA and Red Bull Music Academy are taking over London's Southbank Centre this coming Friday. Joining Carl Craig, Francesco Tristano and Moritz von Oswald will be DJ Sprinkles who steps up with an hour of deeper house sounds for Japanese site Clubberia.

Little White Earbuds has an extensive interview with the artist behind the DJ Sprinkles moniker that touches on the "ideology of the dance floor," the current deep house revival and how "having knowledge doesn't have to result in fascism."

DJ Sprinkles talks to Sounds Like Me about OMD's Dazzle Ships, a record he calls "OMD’s attack on the labels that released it."