Events

Featuring ATL's own HABERSHAM during his North American tour!

Wiggle Factor is back for another SoundTable Session with inspired Audio/Visual communications located @ tST.

Habersham Bio:

Over the past 10 years Habersham's busy tour schedule included performances in North America's major cities and at renowned festivals including San Francisco's Love Parade, the Detroit Electronic Music Festival [DEMF], Miami's Winter Music Conference, and South By South West [SXSW] in Austin, Texas. Globetrotting from Australia to Canada, Mexico to Central and South America, Holland to Hungary, Turkey to Romania, Damon Fonooni's ability to hypnotize and devastate the world's highest profile clubs has left many hot, sweaty, memorable messes in his wake.

Relevant Links:
http://soundcloud.com/habersham
http://www.facebook.com/TheRealHabersham
http://twitter.com/habershizzle
http://www.myspace.com/habergoose

For the twenty-eight year old 2010 showed no signs of slowing down. Headlining events and festivals with the world's most respected talents in Techno, House, Dubstep, and Electronica, including Telefon Tel Aviv, Kompakt's Michael Mayer, Cocoon's Minilogue, Pig&Dan, Boris Brejcha, Soma's Funk D'Void, Drumcode's Tony Rohr, Ill.Gates, Headhunter and Phil K, only strengthened a reputation for self-reinvention through his edgy, subliminal grooves and signature noise.

As a composer, producer and audio engineer Fonooni's extensive discography of over 60 original releases and remixes has received continuous praise from clubbers and critics worldwide garnering unprecedented reviews from media heavyweights and magazines BPM, DJ Mag, IDJ, Mixmag, Remix, Urb, 365Mag as well as winning the coveted Best Electronic Act from Atlanta's premier arts, culture and entertainment periodical The Creative Loafing. His works have been featured regularly on BBC Radio One, KissFM Worldwide, Australia's Triple J, and Radio Tilos in Hungary and licensed to over fifteen compilations including EQ's highly respected Balance series and both the Renaissance and Global Underground libraries.

However, when asked to define Habersham's output his listeners' attempts are like
distinguishing realities from dreams: the experiences cerebral yet surreal, the conceptual possibilities tangible yet endless.