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Hosted by SATAN'S HELPERS
If you don't want to go the smart route and buy advanced tickets, RSVP to discographyNYC@gmail.com for $3 admission/ Otherwise, it's $5 at the door.
Eric Duncan aka Dr. Dunks [Rub n Tug/Still Going | DFA/Keep it Cheap/C.O.M.B.I] http://bit.ly/xUfXay
Justin Strauss [Whatever/Whatever] http://bit.ly/x32pLT
Colin Rogister [Resident] http://bit.ly/k3Hx21
For more updates, Best of 2011, etc, LIKE the FB page: https://www.facebook.com/DiscographyParty
I'll let Time Out's Bruce Tantum do the talking:
Resident Colin Rogister is back with his night of wide-ranging, underground rhythms, held at Williamsburg's Cameo. Past editions have featured the likes of Hercules and Love Affair's Kim Ann Foxman, Tigersushi's Joakim and Beats in Space man Tim Sweeney; tonight's shindig sees a star turn coming from Eric "Dr. Dunks" Duncan, of Rub N Tug and Still Going infamy. E-mail discographynyc@gmail.com to get on the reduced-admission list.
For more updates, Best of 2011, etc, LIKE the FB page: https://www.facebook.com/DiscographyParty
OR follow @discographie on the Tweetur: http://twitter.com/#!/discographie
AND
Eric Duncan's Bio:
Where do we begin??? One of the most PROLIFIC PRODUCERS alive today, Mr. Duncan's work in disco superduo RUB N TUG and DFA house revivalists STILL GOING would be enough for a lifetime, but add on the mysterious Japanese C.O.M.B.I. edits project and the Dr. Dunks cuts on aNYthing, and you've got a portfolio of the gods. Expect a HOT AND SLEAZY mix of DISCO, HOUSE, and SOUL with a FAST AND LOOSE style of DJing that relies as much on ready supplies of JACK DANIELS as it does on technical ability.
Bio for Justin Strauss:
Few DJs could adequately represent the last three decades of New York nightclub history - no less do so with such iconic credentials as Justin Strauss. Since he was 17, when his first band was signed to Island Records, Justin has had a career that reads like a Who’s-Who of the music scene, spinning at nearly every dance club that you’d ever want to go to. Starting as DJ at New York’s legendary Mudd Club, he spun his way through The Ritz, Limelight, Area, Tunnel, M.K., Life, Centro Fly and more, pioneering his own distinctive sound, and becoming one of the most sought-after remixers and producers not just in New York, but in the world. He has worked with the gamut of artists - Depeche Mode, Sergio Mendez, Tina Turner, Jimmy Cliff, B-52s, Luther Vandross, Malcolm McClaren, Skinny Puppy, Goldfrapp, to name a few (see full list) – and on over 200 records!
Much of the new dance crowd that goes to hear Justin DJ today, whether at subMercer, The Standard, Highbar, Soho House, or Love, doesn’t necessarily know his history; they simply love his spinning because he always keeps them dancing and surprised, seamlessly mixing between choice classics, delectable rarities and innovative beats. For Justin, no genre or style is off-limits – he can and will mix anything, so long as he can keep the crowd enthralled. His self-proclaimed mission is “connecting the dots†between what might otherwise seem disparate musical periods and styles, while introducing exciting new sounds. He does so with infectious passion, subverting preconceptions about what’s old and new, and inspiring young DJs with his masterful skill and ever-youthful spirit.
But Justin Strauss doesn’t stop there. As half of the production duo, Whatever/Whatever, he continues to produce and mix records, working on remixes for the likes of LCD Soundsystem, Beyonce, La Roux and more. In fact, he doesn’t stop at all. Like the amazing city he’s dedicatedly kept dancing since 1980, Justin just keeps going.
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