Joey Negro (Z Records, London)
Jeno (Wicked, Back to Back, Noise from the Void)
Conor (No Way Back)
Chris Orr (Public Works) opens at 9pm
Our next installment of Jackhammer Disco features another true legend with JOEY NEGRO (Z records, UK)!
+ Jeno (Wicked, Back to Back, Noise from the Void)
+ Conor (No Way Back)
+ Chris Orr (Public Works) opens at 9pm
Joey Negro is the most well-known pseudonym of master British DJ/producer/remixer Dave Lee. Under a plethora of other monikers including Jakatta, Akabu, Doug Willis, Raven Maize, The Sunburst Band, Sessomatto, and Z Factor, Dave was one of the first artists to incorporate disco samples in house music when he began his production career in 1988. Indeed, he was in the studio making credible and outstanding British House music when many luminaries around him were still busy getting to grips with their decks. In 2011 little has changed and Dave is widely regarded as one of the most commercially successful and in-demand artists on the global scene.
Dave’s reputation as a highly-skilled producer and remixer has resulted in many chart-topping liaisons with high profile pop acts over the years. He has completed well over a hundred remixes for stars including Kelly Rowland, Mariah Carey, Royksopp, Roisin Murphy, Sugababes, Empire of The Sun, Diana Ross, Pet Shop Boys, Roy Ayers, Simply Red, and Lionel Ritchie. Dave was also behind Take That’s “Relight My Fire”, suggesting it as a cover then producing the finished result. Dave has since produced tracks for 911, Robbie Williams and Shayne Ward.
His hard work and brilliant remixes for both dance and pop artists alike led to Dave’s crowning as Best UK Remixer by both DMC/Mixmag and DJ magazine in 1992.
Dave’s impressive discography has ensured he has remained in demand on the global DJ circuit, playing at the biggest and best venues over the world. As a DJ Dave strives to reflect this extensive love of music by playing eclectic sets, which go from rare disco thru to vocal and classic house often into more electronic techy deep sounds.
These sets often showcase the many re-edits and updates of old and obscure tracks he’s become famous for. “I’m forever chopping up both new and old records in the studio to make them work better within my sets’ he explains. ‘I can’t help myself, I want dancers to experience the very best highs a records has to offer, even if it means I have to spend a few days in the studio re-arranging something. I couldn’t be a producer without being a DJ and certainly DJ’ing would be a whole lot less fun if I didn’t get to tweak the music I was playing out.”