Asylum is happy to welcome back FRANCIS HARRIS aka ADULTNAPPER for his Bday!
Granted, a somewhat intense punk rock kid from Vegas into philosophy and Pynchon isn't the most likely candidate to become a club DJ, no less one of the leading American talents in the global electronic music underground, but that is the story of Francis Harris. Over 10 years ago, Francis quite accidentally "discovered" dance music and has approached the craft of DJing, composing and producing it
with uncommon focus and dedication ever since. In the studio or the booth, Francis is known to be steadfast, thoughtful and purposeful; an uncompromising artist who takes his art seriously, even is it is "just" dance music. Over his career, that attitude and a fair bit of talent has earned Francis sustained critical notice and a loyal worldwide following. The scene's aficionados have long favored the dark yet moving, introspective excursions Francis delivers as "Adultnapper" for respected dance music labels like Poker Flat, Mule Electronic, Simple and his own boutique imprint, Ransom Note. When teamed with Mr. C of The Shamen as Sycophant Slags, a mischievous streak behind the foreboding Adultnapper persona emerges, evidenced in a string of punchy dance anthems the duo have recorded for Get Physical and Poker Flat, including the 2009 hit single and video "Keep Off."
Firmly established now with 50+ dancefloor-oriented EPs to his credit, including recent high-profile collaborations with M.A.N.D.Y., Francis is no less inspired to continually challenge convention and expand the boundaries of his creativity. 2010 proved a pivotal year in this regard, as Francis embarked on the recording of his first full length album. Titled "Leland," in tribute to his father, the album is a poi- gnant requiem featuring piano, guitar, cello, trumpet and vocals by Danish singer Gry. Although loosely based on house rhythms, "Leland" reaches beyond the club and in realizing this ambitious project, Francis forged new creative partnerships and rekindled a long dormant interest in songwriting, live instrumentation and performance, leading, in 2011, to the launch of Scissor and Thread.
Conceptually, S&T is an open-ended platform for "indie" artist development and album length releases, electronic or otherwise. A slew of talented and wide-ranging new artists are scheduled to debut on S&T in 2012, but for starters the label has focused on remixes from Francis' album by luminaries Matthew Herbert and NSI., as well as material by Jordan Lieb aka black light smoke, with whom Francis has collaborated on the production of "Leland," an as yet to be released full length solo album by former Beirut member Jason Poranski, and a series of EPs for Hafendisko, No. 19 and recently Poker Flat, who closed 2011 with the hit single and video, "Idiot Fair." Under a new alias, lightbluemover, Francis and Jordan launched an epic two man, all hardware live set, Francis' first ever, that forms the centerpiece of a series of S&T showcases that began with DC and Miami at Art Basel, and is continuing with blkmarket membership on New Year's Eve in NYC, BPM Festival and a January 14th turn at Fabric's room one.
Still another new project due from the label early in 2012 is Frank & Tony presents... the brainchild of Francis and S&T co-owner, Parisian DJ/producer, Anthony Collins. With F&T, the pair will explore the sexier side of house music, focusing on deep, slow and melodic tracks that feature various vocalists from the S&T roster. Without so much as one release, F&T have already garnered attention by DJing together under the moniker in NYC, Paris, Atlanta and soon in San Francisco.
Beyond his commercial music endeavors, Mr. Harris continues to score soundtracks for noted installa- tion artist Matthew Weinstein. His composition for "Chariots of the Gods," featuring the last recording of the late Natasha Richardson, debuted to great reviews at NYC's Sonnabend Gallery in Sept. '09. His second Weinstein commission, "The Childhood of Berthold Brecht," this time with actress Blair Brown on vocal debuted Sept. 2011, drawing praise from the New York Times.
Asylum Residents Warming it up