It's a rare and exciting occasion when Auckland City is graced by an underground musician of any ilk. But when one with pedigree of the United Kingdom's Michael Dodman, better known in house music circles as Huxley, then this is one of those nights that DJ and punter alike will be all over..
Having released some of the biggest dancefloor ready house music in the past 18 months for some the biggest "it" labels in the business (Hypercolour, 20:20 Vision, Tsuba Records) and a reputation as an incredible DJ to boot, I'm pretty sure that we are more excited about this than most of you are!
We have secured the use of a Goldfinch Lounge & Gold in Auckland's Viaduct Harbour, a venue that oozes both class and practicality, ultra plush surroundings, a drink's list to make Paris Hilton shut up and order a cocktail, all leading through to a practical dance floor, perfect for the heads down sounds of underground dance music..
TICKETS: All earlybirds are now sold out. However $20 + bf pre-sales are available from the following link, they're going fast so get in quick!
- MAXIMUS HUSH
- FIVE FOOT SHORT
Hard earned respect from your peers is a rare commodity but Huxley, aka Michael Dodman, has it in spades. Since his late teens he's been producing, seeing initial underground success as a garage producer before his sound partly mutated towards a deeper, house- based sound in the past
few years. Collaborations with old mate Ethyl for the then hot-as-hell Cecille imprint in 2009 showed a producer receiving massive support for what instantly seemed like a fully developed sound.
Since then, Huxley has delivered releases for an enviable roster of labels (Tsuba, Morris Audio, Fear of Flying, Hypercolour and 20:20 Vision for starters) and has stayed true to his robust, bass-led strain of house music that reflects his formative interests in UK and US Garage, with critics, punters and peers lapping up each release and remix. Whether veering towards deeper vibes alongside Ethyl on his own Saints & Sonnets imprint, turning in cast iron grooves for Tsuba or full vocal barnstormers like his lauded 'Let It Go' single for Hypercolour early 2012, there's a clearly defined but pliable and versatile sound to Huxley productions that marks him out as a truly talented producer.
As a remixer, the Tring (Herfordshire, UK) man is hugely in demand, turning his hand to major label talents with as much flair and skills as he does underground cornerstones like Lee Burridge or Maya Jane Coles. Completing the picture is his Djing – another perfect string to his bow that sees him tour his open minded and deftly programmed music selections in clubs and festivals across the world on a weekly basis.
Going forward, there's more of the impeccable same and more than a smattering of surprises on the way from Huxley. Singles for his tight knit group of labels (he just describes them as 'mates'), more collaborative projects with the likes of Sam Russo and Ethyl, production projects for vocalists (he's not naming names) and carefully chosen remixes are all on the way and, if anyone who has heard recent sets for Rinse FM and Fact Magazine will know, more on-point DJ sets that span house, garage, techno and beyond.