Born in Finland in 1973, Klas Lindblad has been djing since the end of the 80s, dwelling first thru pop music and eventually finding electronic music in the early 90s. He was running one of the first house clubs in Turku, Finland from 92-96 and was a regular guest at the major parties in the Finnish electronic scene.
At this time he also started to work on production and soon the first releases came out on Sähkö/Puu as Freestyle Man. His early work has been considered a milestone in the Scandinavian house sound and the original 12-inches are still very much sought after.
In 1996 he started Moodmusic with the first release, "Sasse Presents...", a 4 track EP with influences from NYC and Detroit house. Instantly creating a havoc on European dance floors, the following releases put Moodmusic on the map of recognized house labels with the distinctive sound and top-notch A&R abilities of Sasse and his close-circuit artist roster.
Fast forward to 1999 and Sasse leaves Finland for Frankfurt am Main to start a residency at the famous Robert Johnson club. He is running his highly successful “Finnish First“ nights there from 2000 - 2003 after which he decides to move to Berlin.
The early releases from Henrik Schwarz on Moodmusic culminates in 2003 with the birth of Sunday Music, a musical platform for Sasse and Henrik productions. At the same time Sasse started Must! Records for more obscure disco, italo and chicagohouse edits.
In 2005 he builds his beloved BlackHead Studios in Prenzlauer Berg with companions Ewan Pearson and Filippo "Naughty" Moscatello and starts to work on his first artist album. The album "Made Within The Upper Stair Of Heaven” is released on Moodmusic in 2006 to critical acclaim and the singles, "Soul Sounds", "Loosing Touch" (featuring the distinctive vocals of Kiki) and "Up To You” makes waves on dance floors around the globe.
In 2007 a special collaboration called "It’s All True" between Tracey Thorn and the production team of Sasse, Darshan Jesrani and Ewan Pearson was featured on Tracey’s last album, "Out Of The Woods". The single release featured remixes from Martin Buttrich, Kris Menace and Escort and was one of the summer tunes of 2007.
During the week Sasse is nailed on his studio chair working under one of his many pseudonyms but starting on Friday he transforms into his first love, the djing. Over the last 5 years, the success of his productions and remixes brought him to nearly all-good House-clubs worldwide. Doing his bi-monthly residencies at Berghain/Panorama Bar and Weekend he keeps the Berlin club land busy.
He has just finished his 2nd studio album called "Toinen" ( “second” in Finnish) which will see the day of light in October 2008 on Moodmusic. He’s also currently remixing Nortern Lite, Jori Hulkkonen, Garnica and Phonogenic.
Like so many other figureheads in the house and techno scene hamburg’s influential DJ and producer Marc Schneider got his first taste for dance music via Hip Hop and golden generation artists like Public Enemy, Schooly D or Boogie Down Productions before visits to the legendary, groundbreaking club Front and other influential venues like Opera House and Unit introduced him to house and techno in 91. He instantly caught the bug for electronic music, absorbed it’s sounds and lifestyle and made it his own, which led to his debut as a DJ only one year later. Blessed with a rare talent he secured gigs in hotspots all over germany almost immediately, was spinning on a global scale as soon as 1994 and held it down at big events like the Love Parade from there on. Yet he never steared away from the original grassroots approach of the movement and helped organize trend-settings events like “link”, “pure energy”, “cubic club” and later the inventive “planeten und blumen” club as well as keeping regular residencies at the famous “golden pudel club” and the “click”.
He also helped others DJs and fans getting the platters that matter by joining container distribution ( probably the first company bringing house wax to germany ) in 1996. Later he split from Container and founded with others the “word and sound” distribution company were he is still shaping the taste of a nation as main buyer and sales manager. As if all this wasn’t enough this jack of all trades also has a few 12” releases and remixes under his belt.
Never having missed any major development or pivotal release in quality dance music, Marc can flex is DJ-muscles in so many different ways and sensibly guide the crowd through a tasteful and kicking mixture of all things house and techno.