When Kyle Hall debuted in 2007 on FXHE, he was quickly tagged as Detroit's next Great, capital G. If that was a burden, Hall didn't seem to notice. With singles on Third Ear, Hyperdub and his own Wild Oats, the young producer quickly molded his own brand of sooty but soulful house music. It nods to..
nice review but i think ur missing the point of the cover and title.
kyle said himself in an interview somwhere tht it is a direct play off of how boat-parties n sumtimes extra chic part of the dance community at the moment n its dichotomy with Detroit, its scene, and the idea of a boat party in its bleak post industrial urban decay