seanseanwrote
Sun, 27 Feb 2011anyway why do they need to pay the original artists? it is the remixers who did all the hard work to improve these bad records and make them modern and listenable

seanseanwrote
Sun, 27 Feb 2011this is one of the best albums this year

pure analog phatness and authentic house vibe

if you dont like this album then i guess youre just jelous because you didnt get asked to make a track on this great album

lets face it most of these original records are unplayable due to terrible vinyl presses and pooor mastering. this album updates it for the modern age and sounds so much better than all those old records

i think every remix on here is an improvement on the original and will... More

belviderewrote
Sun, 27 Feb 2011I'm sure someone from DJH will be on here to defend it but I'm sure it's a 100% legit licensed compilation.

stillmusicwrote
Sat, 26 Feb 2011Actually, blackmarket is right here. I've actually had the chance to see the paper work and happen to have a real knowledge on the Trax copyrights. It is a really complex matter but unfortunately all the artists should have been paid and are still not compensated. @Tom... The story doesn't end with Casablanca Trax. I am calling you about it actually.

pissflapswrote
Wed, 23 Feb 2011Thats fair enough but it's down to naivety by the artists in the first place, whether they are black or not doesn't really come into it, no big conspiracy, just good music being butchered for legitimate profit

Blackmarket1wrote
Tue, 22 Feb 2011If your annoyed then think how the artists feel. A couple of points - all will be revealed soon enough and I think a few peoples views will change on this.
Master recordings were not just sold off without Rights- there was paper work - Terms. Everyone has been sold the party line for so long that people believe it - but I have to tell you the artists have genuine case - its edging on fraud.
We can not suffer a situation like what happened to Blues and Reggae artists from the past - and then... More