|Location / ||Berln|
|Real name / ||Igor Zotik|
|Date of birth (age) / ||13 April 1982 (31)|
|RA since/ ||28 August 2009|
|Last online / ||12 December 2013|
|Total posts / ||0|
In the extreme contaminated basket overfull with fruits - reminders of the last electronic wave, real-life rejuvenation is the meeting with a concept issued from the view through the prism of the electronic and specific sound dance based material. Inspired from the Detroit Techno and Chicago House scene and his own researches in and about new course of electronic sound, Igor Zotik tracks down the true formula of peculiarity in the vast ocean of New World production. The implementation of modern achievements of the electronic production presents Igor Zotik as an inextricable fragment from the new already begun process of redefinition of the needs and values that are to be pleased by the synthetic sound of the 21st century beginning including the dance floor needs that are supposed to represent a low-contents entertainment.
About IgorZotik /
As a person who in his musical education has passed through all of the institutional rungs - elementary school of music art, high school of music art and the musical academy as well as a person who is active in playing a musical instrument piano - I consider that the “organic sounds” are the source of digital technology which now has already developed in entirely other direction with its specialties, that today have a less distinctive significant common ground with its “ancestor”. The perfect word for what I want to say in fact is - EVOLUTION.
I will hold on to that driving force which is of relevance to me and to what I create, that is the cordiality, the broad-mindedness, as well as the smiles on people’s faces. Whether it is specific only to us or whether it is something that does not separate us from the others, I could not judge, in fact I can not say that my judgment is sufficient enough. What I can say for certainty is that I can truly exist and canalize my creativity only to a place like this, only among people like this, people who are pleasant, straight-forward and hospitable.
According to my assumptions (in terms of a favorable response, fluidity and interaction with those present) the music that I truly love and create sounds better in indoor club space rather than in enormous fair halls or outdoor space, festival etc.
The bet like self-devotion is a very significant element in any type of sphere and human activity. Without it, everything else is in vain, therefore I commit myself entirely to what I work and I am trying to concentrate more on what I create rather than on the expected work and its privileges. On the other hand the futile Sisyphean matter could be disheartened to the extend that one would suspect in oneself and what one truly desires to be working on. In general I am trying to find the essentiality of both issues, because the balance is of crucial importance. As to this space, I assume that there are not many who can truly hope for something more precise. I say this for the welfare of one’s health condition - a bit of irony, ha!