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Plug - Back on Time
Label / Ninja Tune
Cat # / ZENCD177
Released / January 2012
Style / Drum & Bass
Rating / 4

Released in 1996, Plug's Drum 'n' Bass for Papa might not have had the ubiquity of Goldie's Timeless or Reprazent's New Forms, but it had something many other drum & bass albums of the era were sorely lacking: a sense of humour. Which could well be why it was roundly ignored by a drum & bass scene who seemed able to stomach any number of over-egged double albums from the likes of Grooverider and 4 Hero, but couldn't countenance anyone who sounded like they were actually having a laugh. Particularly if said prankster was a man—Luke Vibert—otherwise known for producing oddball electronica.

Not that Plug was necessarily a joke. Vibert might have treated drum & bass with irreverence, but it wasn't an outright piss-take of the sort later plied by many in the breakcore scene. His breakbeats were as sophisticated as anything being put out on Full Cycle or Talking Loud. It's just that Vibert was underpinning kitsch loungecore and easy listening samples as opposed to the more de rigeur jazz or ragga influences.

Nowadays, though, Drum 'n' Bass for Papa doesn't feel as dulled by over-familiarity as other '90s drum & bass does today. So Back On Time—a collection of "lost" Plug tracks from 1995 to 1998 now being released on Vibert's current home Ninja Tune—feels less like opening a time capsule than a new box of conjuring tricks. One which could belong to, say, Daedelus as much as Vibert's professional magician grandfather whose photograph adorns the cover. On tracks like "No Reality," with its waltzing organ coiled around frenetic breaks, Plug was a clear precursor to the Californian beatsmith.

For the most part, Vibert's approach to drum & bass still sounds unique, although there are some signs that this was produced in the '90s if you're looking for them. The sitars of "A Quick Plug for a New Shot" were clearly borrowed from the Indian-influenced drum & bass scene that spawned Talvin Singh, there's a touch of Alex Reece in the jazzy drum programming of "Flight 78" and Vibert's disguise really slips on the tongue-in-cheek sampledelia of "Mind Bending," which could have fallen off the back of 1994's debut Wagon Christ LP Throbbing Pouch.

What absolutely none of it sounds like is anything someone like Andy C would ever play. The closest Plug ever comes to a "roller" is the track "Drum'n'Bass," but even then he careens all over the shop: the initial tear-out slowing into clipped half-step before skidding through time-stretched breakbeats. 15 years since Drum 'n' Bass for Papa, Plug might now claim to be Back On Time, but he still remains completely out of line.



Published /
Wed, 11 January 2012



Buy Plug - Back on Time at
buy this online at juno recordsbuy this online at juno download


Tracklist: Plug - Back on Time
01. Scar City
02. Feeling So Special
03. Come On My Skeleton
04. No Reality
05. A Quick Plug For A New Slot
06. Mind Bending
07. Back On Time
08. Yes Man
09. Drum N Bass
10. Flight 78

Plug - Back on Time

 
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Luke Vibert unearths lost Plug album, Back On Time

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PWDRwrote
Tue, 17 Jan 2012Really nice release! Luke knows how to do it!

mev__wrote
Sat, 14 Jan 2012i definitly prefer other genre to dnb, but this is really good: really researched sound and good atmosphere. Thumbs up

zenidithwrote
Fri, 13 Jan 2012I absolutely love anything Vibert touches and his take on drum n bass is no different. I'm no way an expert on this genre but I believe you can split it up in two ways: there is the harder stuff like metalheads/goldie/groove rider etc and you've got smoother sounding stuff like good looking records, but Plug is altogether different I believe. Its kind of an amalgam of those styles with his own quirky sounds/samples thrown in. Can't wait to see him again in Australia

Risingsonwrote
Wed, 11 Jan 2012I knew it. I knew, before reading this review that, like every other drum n bass review, it was going to discredit the entire genre. Sorry, but 'Drum n bass for papa' was fabulous in 1995 like 'Timeless' was, and both are still wonderful, familiar or not., and like 'Two pages' and the Grooverider album still are (I actually consider them growers. Yes, growers).

Now, the style. 'Drum n bass for papa' was more related to the chaothic, difficult, tricky style present in the first Amon Tobin... More

tomstirwrote
Tue, 15 Nov 2011ing ing 90s revival ,anyone ?

ShinigamiSanTNwrote
Tue, 15 Nov 2011I love reading this !


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