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Kyoka - iSH
Label / Raster-Noton
Cat # / R-N115
Released / February 2012
Style / Techno, Experimental
Rating / 4

Unlike many of the other experimentally-inclined imprints born in the mid-'90s that have since fallen by the wayside, Raster-Noton's current standing as a true powerhouse has been built on a mixture of consistency and sonic risk taking—both of which are key ingredients for the Berlin-based imprint's latest effort, Kyoka's iSH.

When viewed as a part of Raster-Noton's wider output, iSH's most blatant point of difference—from its opening moments, at least—is its accessibility. A distinct 4/4 pulse is plastered across the variations (the original and AtomTM's rework) of the release's standout, "HADue," both of which are as floor-ready as they are adventurous. They're undoubtedly techno, though with enough experimentation—stuttered percussion and disfigured vocals are looped and piled upon each other until they reach an abrupt and satisfying climax—to render them as standout club tools. The markedly more leftfield "YESACLOUDui," "23 iSH" and "ROOMOne" then take the release through to a close, each coupling heavy syncopation with a lack of regard for conventional structure, supplying a welcomed contrast to the club-friendly appeal of their counterparts.



Published /
Tue, 14 February 2012



Buy Kyoka - iSH at
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Tracklist: Kyoka - iSH
A1 HADue
A2 HADue (AtomTM Remix)
B1 YESACLOUDui
B2 23 iSH
B3 ROMOOne

Kyoka - iSH

 
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mantrackerwrote
Sat, 18 Feb 2012The remix is a real industrial banger

WhiteFeatherwrote
Fri, 17 Feb 2012Brilliant tracks, HADue has been om repeat whole week.

jamesguppywrote
Thu, 16 Feb 2012HADue is awesome and the remix is bloody good too...can take or leave the others. More Raster-Noton techno please (Ancient Methods vs Alva Noto)!

CALEROwrote
Thu, 16 Feb 2012HADue!

Finn.of.Tomlandwrote
Tue, 14 Feb 2012I like this one a lot! Nice to see Raster-Noton still are progressive!

tdmusicwrote
Tue, 14 Feb 2012Big R-N fan but this one didn't do it for me on first listen... I'll give it another go though


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