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Monolake - Ghosts
Label / Monolake / Imbalance Computer Music
Cat # / ML026
Released / February 2012
Style / Experimental
Rating / 4.5

A little over two years ago, Robert Henke released Silence, the seventh Monolake album and the first in what has recently been revealed as a trilogy of full-length works. The sounds of Silence came with a fragment of writing that provided a cinematic element to that album's lush, delicate atmosphere: "The mountains made me feel light, happy and small … and the gods were with us." Things have certainly changed in 2012 with Ghosts, the second chapter of the trilogy. "How I hate those dirty little flies," reads the text, ostensibly setting the album within a sticky jungle realm. "Impossible to sleep, it is too hot, no wind … and the gods are laughing at us."

Unsurprisingly, Ghosts is a demanding journey through the dark side of Henke's computer wizardry. It begins with the title track—a stormy drum & bass session with an eerie vocal line—but the unnerving vibe really creeps in with the countless little creatures of "Toku," which emerge underneath a hypnotic set of high-frequency whistles.

Like Silence, most of Ghosts' tracks weigh in at less than six minutes—continuing a shift away from the lengthy soundscapes of prior Monolake works—and both albums spend most of their time swung quite heavily at 140 BPM. Compared to Silence, however, the tools that Henke now employs cut even deeper, as evidenced in the deliciously crisp growls and vocal cascades of "Hitting the Surface," and "The Existence of Time," whose sub-bass grinds away like a maniacal floor buffer.

Henke is no stranger to ambient-oriented excursions (check Silence's romantic centerpiece "Void," for example), and Ghosts is at its most haunting when the beat drops away completely, as on "Phenomenon" and "Unstable Matter." The former leads off with a dubwise bass riff that slowly disappears under a chorus of anxious, otherworldly moans. Then there's "Unstable Matter," whose twisted found-sound elements create what might just be one of Monlake's most suspense-laden tracks ever.

"Foreign Object" closes out the album; made mere hours before being sent off for mastering, it's a thrilling conclusion that should leave listeners on the brink of exhaustion. Escape is the working title for the third and final part of this album trilogy, and it's sure to be eagerly anticipated, whenever it comes out. Until then, we have another excellent long player to savor from Monolake.



Published /
Tue, 28 February 2012



Buy Monolake - Ghosts at
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Tracklist: Monolake - Ghosts
01. Ghosts
02. Toku
03. Afterglow
04. Hitting the Surface
05. Discontinuity
06. The Existence of Time
07. Phenomenon
08. Unstable Matter
09. Lilith
10. Aligning the Daemon
11. Foreign Object

Monolake - Ghosts

 
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Monolake announce new album, Ghosts

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thejaguarwrote
Mon, 08 Oct 2012Literally the dumbest comment I have ever read. Berghain has an expensive world-class sound system. An album release is supposed to sound good on the average listener's setup. Obviously this is not music for ipod earbuds but there should be a reasonable expectation of setup quality

michaelterrewrote
Mon, 16 Apr 2012Monolake with Ghosts - Silence and now has left me without words, sounds breathtaking.

PWDRwrote
Mon, 16 Apr 2012Can there be any better album this year?

Harlow58wrote
Tue, 03 Apr 2012View ImageMonolake is singular in electronic music history.

Harlow58wrote
Tue, 03 Apr 2012View Imageexcellent news!

Saatchiwrote
Tue, 03 Apr 2012 You say this should only be heard on the speakers he made it with, then why bother listening to it if Robert doesn't include them with the release? No producer releases anything with intent to be heard on £10,000 systems at home, dear me. I hate this release and i have heard it on an expensive system.

And matey, this board is about opinions, if you don't respect or like opinions on here then keep your own opinion to yourself.


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