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Groove Armada - No Knock EP
Label / Hypercolour
Cat # / HYPE24
Released / March 2012
Style / House
Rating / 3.5

Groove Armada sound like they are enjoying themselves during this stop-off at Hypercolour. A chance meet-up between Tom and Andy with label boss Jamie Russell at Space two years back has culminated in this EP of analogue funk and bass-drizzled house with a decidedly old school nuance.

Let's make this clear, this isn't GA in big room mode, although "There Was Rhythm" comes closest, morphing midway from its bouncing b-boy origins into Italo house, complete with hammered pianos. "Oh Tweak Me" is a more understated affair, all hissing percussion, parping bass, echoing handclaps and musical tics, like an oddly-strangulated cowbell.

The quaintly-titled "Stevie Latenight" settles into a deep, plink-plonk groove early on and stays there, around which GA build fuzzy hi-hats, Linn-style drums and a beat that sounds like it's rattling your mum's best china. "Luv 91" opens with doleful dubsteppish swells topped by a pitched-up vocal sample but then in saunters in-period keys that bubble about with a pop and ping. Rather than a case of big boys trying to show off all their weapons to a young label, No Knock proves that Groove Armada are just as happy being foot soldiers.



Published /
Tue, 10 April 2012



Buy Groove Armada - No Knock EP at
buy this online at juno records


Tracklist: Groove Armada - No Knock EP
A1 Oh Tweak To me
A2 Stevie Latenight
B1 There Was Rhythm
B2 LUV 91

Groove Armada - No Knock EP

 
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Groove Armada - No Knock EP

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Grinsellwrote
Sun, 06 May 2012Quality weekend - feeling it now though...winding down now with SL

214wrote
Wed, 11 Apr 2012Love this!

son-of-dragonwrote
Wed, 11 Apr 2012Was diggin this the moment I heard the sampler. Something for everyone here.

rjmwrote
Wed, 11 Apr 2012Good A&R from Hypercolour, and probably a welcome hookup for GA too...

HoHwrote
Wed, 11 Apr 2012Stevie Latenight is just too good...!

Philo1wrote
Tue, 10 Apr 2012Bits & pieces of these tracks grab me but the tracks as complete entities sound really disjointed, like their individual elements have little relation to each other.


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