Above all, Diynamic sound confident here; their music has always subsisted on a feeling of quiet dignity, but there's something about the vibrating shuffle of Uner's opening "Positive" that feels somehow both rigid and smooth, like chugging space disco squeezed of its excessive melodic adornments. The album's fine opening stretch unfolds in cinematic fashion, from the funereal but uplifting strains of DJ Phono's Dial-esque "New Year Eve" to the stripped-back boogie of Hunter/Game's "Call My Name." Many of the compilation's efforts do keep the baroque intact, underlaying the sharp frameworks with supple textures and gilded melodies—think David August's unforgettable "Hamburg Is For Lovers" from last year and you're on the right track.
That's not to say 5 Years of Diynamic is consumed by wistful nostalgia or melancholy; in fact, it features some of the imprint's most boisterous club jams yet. Label boss Solomun's "Living On" feels like the centrepiece, with a stoned dulcet pulse and detached vocal straight out of the electroclash heyday, only slowed down to a Diynamic torpor. In case it was unclear, that's a good thing. Elsewhere, relative newcomer Liem crafts an afterhours slowburner with dubstep LFOs on "Tales to Astonish," late-period-Diynamic poster boy David August builds a hedonistic reverie with "To All The Ladies," and H.O.S.H's "Return of the Air" is almost deliriously cheery, like it's going to fall off the rails by virtue of its own drunken momentum.
The compilation comes attached with a remix disc of previously released tracks, by nature less interesting than the originals but still worthy of a few spins. Highlights include FM Belfast's bombastic rework of Ost & Kjex's "Mosabique Travelplan," The Teenager's unashamedly proggy mix of Solomun's organ-drenched "Forever," and Gui Boratto's remix of Stimming & David August's "Sexy Biest," which is dizzy with a butterflies-in-the-stomach stutter.
Taken as a whole, 5 Years of Diynamic ticks every box a label anniversary compilation should: it's effortlessly easygoing work for a well-established label, shows off a sterling new-and-improved roster, and the tracks are certainly A-side quality. Even better, the profits of this one go to charity, proving the Diynamic empire is just as concerned with giving back as it is with cultivating its utterly distinct identity.