Part 2 leans slightly more towards house and, appropriately, the vinyl release gives pride of place to Dutch talent. 100% Pure boss 2000 and One tackles the brisk but dubby "Thera," dropping its basic melodic material into a tick-tock tech house framework and replacing the grit and urgency of the original with big room dynamics and a more measured sense of progression. Joris Voorn, meanwhile, reworks album highlight "Astronotes"—a wise choice, you'd think, given the knack for sculpting blissfully smooth atmospherics displayed in parts of his own discography. But where the original is a lesson in cosmic whimsy, Voorn uses those arpeggiating lines as the backbone for a regrettably trite-sounding exploration of tension and release.
Things get more interesting in the digital part of the package. Villalobos is (as usual) the centrepiece here, remodelling the heads-down freneticism of "Sitting on Clouds" into one of his characteristic 19-minute epics. His version is ugly, rough-edged, often furtive in its presentation of ideas—a disorientating negative of the brightly erratic original. Elsewhere, Christian Smith's remix of "Astronotes" more faithfully captures its cosmogonal tendencies, while keeping one eye on the more energetic corners of the dance floor. Rounding off the package, Vince Watson, with his penchant for luscious melody, seems like a fine successor to Rachmad, and his two reworkings of the album's title track tease out its pristine soul: the "Electronica" mix by placing it in a delicate electro framework; the other by subtly ramping up the intensity.
While there are a few fine efforts here, not many of these tracks come close to the elegant lyricism and warmth of the original album; nor do they replace it, convincingly, with some other kind of appeal. Proof, if it was needed, that Secret Life of Machines is a hard act to follow.