Avid fans will be excited to see "Paper Plane," which is technically the only new song here. It's most likely a Sun & Neon Light leftover, though, and is mostly noticeable for its mixing of a moaning male, a cooing female back singer and something that sounds like a sheep bleating. (Needless to say, it won't make you want to go back to "Comacabana" and say whoa.) Then again, there is a Trentemøller remix of "Outskirts," which recalls Anders' own "Take Me Under Your Skin," which isn't a bad thing at all. This track alone is worth the (slightly exaggerated) admission price, although it would have made more sense to release it as a B-side or an exclusive Get Digital cut. And there's also the Larry Gold string version of "Night Falls." Even though you might already knew this one from 2007's 5 Years Get Physical, it's the only moment where you get the feeling the re-interpretation showcases exactly what they had in mind for Cinematic Shades; it also curiously makes you want to hear what "Mandarine Girl" would sound like with an uplifting string quartet.
But why tracks such as "Solo City," "The Sun & The Neon Light," and "You Don't Know What You Mean to Me (J's Lullaby)" are popping up here again in the same shape they did six months ago is puzzling at best, and annoying at worst—especially when they were already available digitally anyway. Even the supposedly updated "Cinematic Shades" edits of "Vertigo" and "Moonstruck," two tracks originally released in 2004, have nothing new to offer, thus making the very existence of this compilation even more peculiar. Arrays into the slower, home-listening, "cinematographic" corners of the electronic music world isn't reproachable per se. In fact, Booka Shade even introduced Memento, their first album, as the imaginary soundtrack to the movie of the same name. But hasn't anyone with a minute to kill and an MP3 player made their own approximation of this compilation already?