Eschewing a long build-up, Commix quickly lead you into the groove and proceed to tactfully and consistently display the different tastings on offer, effortlessly raising and lowering the energy. Thus, we go from floating synth pads to big bass rumblers, from distorted midrange growls to monolithic bass stabs and from frenzied breakbeat workouts to restrained two-step minimalism and back again.
The playful atmosphere of Commix's own "Life We Live" sets off the mix, but soon gives way to a more sombre spirit with tracks from Rufige Kru and dBridge. This leads into the harder-styled dance floor outings of Alix Perez, Data and Logistics, which soon rolls on into the minimal mood of Spectrasoul's "Buried" and Commix's "Justified." The weary vocals of Calibre's "Can't Get Over You" contrast well with MC Kemo's voice booming over "Dangerous" by Lynx & Alix Perez, which in turn blends smoothly into dBridge's growling remix of the electro tinged "Belleview."
"The newer, the better" dubplate-ethos of drum & bass is prominent, but the mix is peppered with a few classics from the late '90s as well. "Common Origin" from Jonny L's XL days fits nicely with Breakage's aptly titled "Old School Thing" and Photek's "Yendi" sits beautifully between two retro tinged cuts from Instra:mental (including the absolutely gorgeous closing number "Photograph").
While there's nothing really new about the individual tracks showcased here, the mix excellently embodies the unique way that drum & bass, at its best, juxtaposes opposites. Urban intensity plays against tranquil feelings of space and openness, grit and melancholia rub shoulders and darkness is never far from light—making this mix far more than the sum of its parts.