Just like the rest of the GU catalogue, the first disc is much more interesting, tracing a multitude of sounds that supposedly—according to the press release—represent something of the influences and heroes of Fanciulli. It's fascinating, then, that the majority of the material is from 2008 with the inspiration seemingly embedded in producers of the pedigree of Rolando and Nick Holder and in a classical house sound, such as the Balearic piano sentiments of "Faces" or the enthralling tech warmth of "Love Never Sleeps." It is, in fact, the breadth of track selection that maintains the intrigue, utilizing the full array of enduring genre characteristics—an acid throb, a minimal bleep or some epic prog. Then, in Pangaea's "Router," containing the most haunted vocal you're ever likely to hear, disc one rounds off in meaningful style, albeit emphasizing that this is very much a collection of tracks rather than a smooth mix.
The second disc is Fanciulli in club mode, with fresher material—including two of his own—pushing the BPM counter harder and delivering his more customary sound. Rolando bares his Detroit soul for the opener "The Afterlife," after which the mix thumps into techy-minimal action and remains there throughout, only relenting slightly for Einzelkind's "AKA The Groove"—the track's title aptly elucidating what the mix misses in sufficient doses. Worse though, the inclusion of "Emissions," by Dubfire dulls the vibe; personally I've had enough of the "have you seen the size of my crescendo?" style the SCI+TEC boss pinched off Paul Ritch and has since imitated poorly.
With the digital proliferation of music, GU holds nowhere near the same influence it once did as pioneers of the dance compilations market. The inaugural edition of this new series almost reflects that. A decent overall effort from the type of DJ unlikely to polarize opinion, disc one alone makes this worth a listen; but another GU classic, it is not.