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Reviews


John Digweed - Bedrock Eleven


Label / Bedrock RecordsReviews powered by Juno
Cat # / BED11CD
Released / October 2009
Style / Progressive House, Techno, Tech House, Minimal
Rating / rating: 3 / 5

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Hate it or love it, John Digweed and his Bedrock imprint still have major pulling power. Undoubtedly responsible for some of the past decade's most pivotal tracks, the eleventh installment of their mix CD series again sees the label owner take centre stage, mixing 2 CD's of predominantly unreleased Bedrock tracks. The package also comes with a third disc featuring some of the tracks featured in the two CD's in unmixed form.

CD 1, the more dance floor-orientated of the two, kicks off with Mutant Clan's "On and Amp," with trance-esque strings. It's followed up by Alex Dolby and Santos' "Babylon," a looping, tribal sounding tool not dissimilar to "Hold Home," and another intriguing release from a producer we'd long since forgotten about post-"Camels." Israeli producer Guy J's "Mikro" is given a fresh lick of paint via Digweed's production partner Nick Muir, with the acidic, grinding peak-time sound further yanking proceedings up another notch. The largely formulaic-sounding tech house sound continues until Anton Pieete's remix of Smith and Selway's "Mistral" injects some funk back in to the mix, complete with a rinsing sound not dissimilar to the one that a certain ex-Deep Dish member has made popular over the past few years.

The highlight of CD1 arrives courtesy of Belgian techno stalwart Marco Bailey's "Jungle Laps" which is a pure peak time fodder, complete with acid squelches and percussion galore. Pete Heller's "Sabotage" ups the ante even further. (Was I the only one to think this man disappeared after "Big Love"? Is there a career rejuvenation theme running through this mix?) Anyone who's witnessed a Digweed DJ set will testify to the fact that he's among the best at playing peak time tracks. Let's face it; John Digweed is not a DJ renowned for building massive sets. What Digweed has managed here, however, is a subtle crafting of a diverse set of tracks. It's just that some of these tracks are well....a bit boring. It's as though we've heard this all before.

CD2 kicks off in familiar fashion via the emotional stylings of Alan Fitzpatrick's "Reflections," which style-wise is quite similar to Mutant Clan's "On and Amp," which opened the first mix. (An attentive listener will be checking the tracklisting to ensure they haven't mistakenly popped in the first disc.) Digweed's penchant for progressive house hasn't been completely neglected, though: James Zabiela's "Tylium" is a decent track in a genre most of us had all but forgotten. Alex Dolby and Santos again deliver the goods here via "No Walls," a fierce techno workout cut from the same cloth as Alter Ego's "Why Not." It won't be to everyone's taste, but of all the tracks here, it's bound to have the longest shelf life outside of this mix.

By the time Reshuffle's mix of Guy Gerber's "Stoppage Time" comes around, the pendulum has swung towards a more techno-orientated sound, and it's all the better for it. Marc Marzenit's "Not Assigned" however, comes complete with a grating breakdown. While it will work on the floor, it's the kind of cheap tool we've all heard before. Digweed, it seems, is keen to champion Marzenit's sound, considering that of the final six tracks, his name crops up three times. His presence on the mix, though, is overall a positive one, with "Expiritualized" likely to crop up on DJ charts. The same can't be said of closing track "My Black Dog" by Suicide Sports Club. Crap name? Check. Crap vocal? Check. Unnecessary amounts of bass? Check. Generic sounding progressive/electro bassline? Check. It's an unfortunate ending to two hours of predominately enjoyable listening.

Overall, however, there's little to differentiate the two CD's. That's to be expected considering that all the tracks come from the same label, but a bit more attention to the familiar patterns that both mixes undertake—emotional beginning, intense middle, soothing end—could have yielded a better result. Between the two mixes, at least half of the tracks are filler: Digweed perhaps would have been wiser to simply include all the track highlights on one CD and releasing it as such.

A handful of the tracks do appear in unmixed form on CD3. But while Bailey's "Jungle Laps" gets the nod, it's disappointing to see that both Santos efforts, as well as Marnezit's "Expiritualized" have been omitted. And Erphun's "Termination Sequence" and Tijuana's "Groove Is in the Air" are impressive efforts which oddly don't appear on either mix.

The impulse to give life to all of the tracks on your label is understandable, but there are better mediums than a yearly summary to do so. Too many tracks here simply offer too little. There are some genuinely great moments in this package, and Digweed devotees will lap it up with fervent appreciation. From a critical viewpoint, however, Bedrock 11 is the type of release that brings an old dictum to mind: Less is more.


Published /
Thu, 05 Nov 2009



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Tracklist: John Digweed - Bedrock Eleven
CD1
01. Mutant Clan - On And Amp
02. Dirty Mongrel – Cream
03. Alex Dolby + Santos – Babylon
04. John Digweed & Nick Muir - Aquatonic (Unreleased Dub)
05. Guy J - Mikro (Nick Muir Edit)
06. Moonface - Futiurized Fears (Guy J Remix)
07. Giorgos Gatzgristos - Binary Star System
08. Christian Smith & John Selway - Mistral (Anton Pieete Remix)
09. Marco Bailey - Jungle Laps
10. Pete Heller - Sabotage (Acid Dub)
11. Mutant Clan – Persuader
12. Christian Smith & John Selway – Daytona
13. Alan Fitzpatrick - Reflections (Petar Dundov Remix)
14. Guy J - Lamur (Henry Saiz Unreleased Remix)

CD2
01. Alan Fitzpatrick - Reflections
02. Giorgos Gatzgristos - Pencils For The Weak
03. James Zabiela - Tylium
04. Rowdent - Found It
05. Tonedepth - Rumblefish (Maherdaniel Remix)
06. Erphun - The Little Rascal
07. Alex Dolby + Santos - No Walls
08. Guy Gerber - Stoppage Time (Reshuffle Remix)
09. Marc Marzenit - Not Assigned
10. John Digweed & Nick Muir - Tangent
11. Marc Marzenit – Expiritualized
12. Marc Marzenit ft. Mastafaktor - Unexpiritualized
13. Bedrock - Emerald (Henry Saiz Remix)
14. Suicide Sports Club - My Black Dog (Gutterstylz Alternative Dub)

CD3 (Unmixed)
01. Alan Fitzpatrick - Reflections (Reprise)
02. Rowdent - Eat Your Heart Out
03. Christian Smith & John Selway - Daytona (John Digweed & Nick Muir Remix)
04. Tijuana - Groove Is In The Air (Tom Budden's Alive Remix)
05. Rowdent - Found It
06. Saints and Sinners - Pushin Too Hard (Guy J Remix)
07. James Zabiela - Tylium (Spooky Remix)
08. Guy J - Lamur (Henry Saiz Remix 2)
09. Tonedepth - Rumblefish (Maherdaniel Remix)
10. Marco Bailey - Jungle Laps
11. Erphun - Termination Sequence
John Digweed - Bedrock Eleven

 

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John Digweed preps Bedrock Eleven

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codedwrote
Thu, 12 Nov 2009Udder drivel.......... Just can't warm to this stuff anymore.

kev_obrienwrote
Tue, 10 Nov 2009good to know that I am not the only one around here who feels that mixing is important.

and yes, a CD like this definitely restricts diggers from being as creative as he would like to be as far as mixing goes.. his Transitions compilations are pure genius. Listen to them, he mixes thru 80% of the CD and has altered the songs so much that he lists them together on the tracklist as one track. That is innovation, and MASSIVE SETS are PRECISELY what John Digweed is known for.. not sure if this... More

robbieywrote
Tue, 10 Nov 2009sorry i'm going to have to agree with kev here. for me mixing is vitally as important as track selection. they are both vital. in fact some of the finest moments in past compilations, whether it be digweed or anyone else, has often come during a transition of two productions.

the mixing is what makes mix compilations stand out, and for me that is why digweed has made some fantastic compilations in the past. but in terms of this release, the fact that he is restricted to just tunes on his... More

badgleywrote
Mon, 09 Nov 2009whether or not you like mixing is completely your own preference. some people can appreciate it, some people can't.

some people enjoy a mix if the song selection is impeccable. some people couldn't care less if the song is a banger, but if the mix is superb, the song becomes that much better.

I personally happen to favor a well mixed track, even if it isn't the best track. I know people will agree and disagree with that belief, but seriously, who cares?

INHead-Kaywrote
Mon, 09 Nov 2009I like your take mate, for a while I thought I was alone in thinking this is way too overrated. Diggers could have easily picked the best of the 3 CDs and mixed em into one uber awesome CD, but who knows maybe the label is suffering financially like many other labels out there and he needs some cash flow!?

kev_obrienwrote
Mon, 09 Nov 2009Thank you, Jason! now wait for them to come back and call you 'ridiculous' for thinking mixing is important.

As if a DJs skill has NO importance whatsoever... these guys talk as if someone could just burn a CD with the top 20 tracks of the moment and play them without mixing them and have a great party. Nope. sorry, doesnt work that way... I dont know where these guys come from, but I get the feeling they spend more time at home listening to single EPs than they do actually going to a club... More


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