But for his third market mix, We Are Proud of Our Choices, Pearson finds perhaps the perfect home for his tastes in Kompakt and warm, buoyant dance tracks that rarely extend far from their pop framework. Drawn to the label by classics like Michael Mayer's Immer, DJ Koze's All People Is My Friends, and Superpitcher's Today, Pearson was very conscious of making a "Kompakt mix," all trademarks included. The result is one of the brightest, more effervescent commercial mixes of the last few years, and a natural link to the label's past successes. Setting its sights on evening mood-setter more than late-night burn, Choices slowly bends from pulsating tech-house to electro and downtempo indie without shedding its twilight stroll pace.
Warming up with the stretch-and-yawn paces of Gold Panda's remix of Lemonade's "Bliss Out" and A Ldric's "Birds On," Pearson establishes Choices tone, if not its predominant pace, early on. Tracks like Lusine's "Cirrus" and Wah-Chuk-Ku's "T Times Too" are in full recline, lending a spaciousness and slow growth before Taron-Trekka's "Shiroi" and "Equilibrium" by Hot Natured begin to steam and bubble with their warped vocals and eerie bass pounce. As the cut accelerates, Pearson reaches arguably the mix's first minor peak with the jagged pianos and clipped shouts of Yosa's "Margaret." But the transition is subtle and uncontrived, a natural evolution, before the Petar Dundov take on Gregor Tresher's "The Life Wire"—a staple of Pearson's sets last year—retreats a bit with its warbling sci-fi grind.
Despite the coziness beneath even its headiest moments, Choices submerges in a few deep diversions in the near-growl and acid scorch between Xenia Beliayeva's "Analog Effekt" and the gravelly hop of Ink & Needle's remix of Chris Fortier's "Sunday Is a Travel Day." For the most part though, Pearson follows Kompakt's tradition of prioritizing emotive melodies over provocation and forward push, an effect exemplified by his refined and seamless mixing. Winding down with the bumpy chimes of John Talabot's Wilderness remix of Al Usher's "Silverhum" and two indie-pop cuts that remind of Pearson's remix work—his edit of Little Dragon's "Fortune" and Bot'Ox's "Blue Steel," a gorgeous closer which sounds like Nathan Fake producing a radio-pop song—Choices is slow to release you from its warm-bed grip. Though Pearson's likely to be criticized for his lack of risks and the mix's sonic uniformity, We are Proud of Our Choices is exactly what he set out to make: the next good Kompakt mix. If it's not another Immer, well, shit, you may have been asking too much.