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Skream - Outside the Box
Label / Tempa
Cat # / TEMPACD016
Released / August 2010
Style / Dubstep
Rating / 3

When I saw Skream play at Berghain earlier this year, half of the people that I knew there thought it was pretty much the best thing ever. Half thought it was the worst. But, as far as I could tell, it was the same set that he always plays. As the mainstream comes closer to Skream, and Skream goes closer to the mainstream, you'll have that. Outside the Box is an almost perfect encapsulation of this idea: You can't help but admire the quality of productions, but just as often you find yourself wincing at what that does to the quality of the music.

The rules have changed. Track two on Skream's debut album four years ago was "Midnight Request Line." Track two on Outside the Box is a collaboration with a vegan American rapper. He's suffered writer's block, nearly topped the UK charts and formed a supergroup. As a result, he's put together an album that splits the difference between pop and underground, and, in the end, likely won't please anyone completely. Like any good modern album, it's ripe with singles for the taking: "Where You Should Be" is a slow jam for mosh pits, "How Real" is a buffed and waxed take on Squarepusher's "My Red Hot Car," "Reflections" is just the sort of emo you'd expect from a collaboration with dewy-eyed drum & bassers Instra:mental and D-Bridge.

But like any good modern album, it's got some tracks that'll make you think twice about hitting the "buy all" button. The aforementioned track two sounds wonderful—like a modern update of "Still D.R.E." —but has Murs rapping about how wonderful it all is. "Finally," featuring La Roux, is nothing more than corporate synergy gone wrong. "Metamorphosis" is a palate-cleansing B-side at best.

Perhaps the most striking thing about Outside the Box is how relentlessly melancholy it is. "Wibbler" aside, there's nothing that wibbles all that much. "Fields of Emotion," "Where You Should Be," "Reflections," "I Love the Way." Known for rinsing crowds to within an inch of their sanity, this is Skream presenting himself as a serious artist. And a pop artist. And an underground artist too. Outside the Box has something for everyone, which is exactly why it doesn't quite work as an album.



Published /
Mon, 09 August 2010



Buy Skream - Outside the Box at
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Tracklist: Skream - Outside the Box
01. Perferated
02. 8 Bit Baby feat. Murs
03. CPU
04. Where You Should Be feat. Sam Frank
05. How Real feat. Freckles
06. Fields of Emotion
07. I Love The Way
08. Listenin' To The Records On My Wall
09. Wibbler
10. Metamorphosis
11. Finally feat. La Roux
12. Reflections
13. A Song For Lenny
14. The Epic Last Song

Skream - Outside the Box

 
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Skream gets Outside the Box

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A.N.A.wrote
Mon, 16 Aug 2010the debut album was souch more impressing.. i got mixed feeling for this one, part of me hates it and the other part loves it... a bit weird.. O_0

JonnyPwrote
Sun, 15 Aug 2010i can definitely hear some w.wickham influences in here. big up the swimming baths massive ;-)

Funklestiltskinwrote
Fri, 13 Aug 2010As I mentioned Risingson, I'm (fortunately) not aware of the type of people you mention. My judgement was solely based on this album alone, and not on any preconceived notions I had on what I wanted it to sound like. I've anyway never been a big fan of his earlier stuff (always preferred Vex'd and Benga), so I'm not looking at this in the context you mention. And frankly, whoever these people you mention are, if they're complaining about 2562 and Martyn, then I have no hope for them.

nevidlj-IVAwrote
Fri, 13 Aug 2010finally is the uplifter track.best.

Risingsonwrote
Thu, 12 Aug 2010Funklestiltskin, the difference here is that Skream was, well, maybe not one of the founders of dubstep but one of those that have been in dubstep for many years, so people expected some 'old style', as already commented. I've reciently listened to his first album, and it sounds surprisingly dub (irony!) to me, so I don't know exactly what people are asking for when mentioning that sound. Anyway, 2562, Martyn and such have recieved complains of not being dubstep, as it happened with Joy Orbison... More

Funklestiltskinwrote
Wed, 11 Aug 2010Also, I guess I've been lucky in that I haven't heard or read too many 'I loved dubstep before it became popular' opinions. I know how annoying that can be, and almost every single breakout genre/artist has those people. By the way, I loved the Beatles before Paul McCartney was born.


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