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Pearson Sound / Ramadanman - FabricLive.56
Label / Fabric Records
Cat # / FABRIC112
Released / March 2011
Style / Dubstep, Grime
Rating / 4

David Kennedy, better known as Ramadanman or Pearson Sound, has been one of the foremost figures in bass music over the past year or so. With a bit of elbow grease you might even be able to extend that title to encompass electronic music in general, as Kennedy's personal, highly percussive take on dubstep-cum-garage fits just about as well into a techno set as anything else. Considering the young producer's label Hessle Audio has a residency at the famed London club fabric, it shouldn't really be a surprise that he's been asked to helm the latest Fabriclive.

For a CD that seems primed to send the hype machine into overheating histrionics, however, the big surprise of Fabriclive.56 is how restrained it is. Kennedy foregoes the whiplash mixing style common to many of his peers and instead carefully layers a tapestry of interlocking rhythms. The momentum snowballs slowly to the point where you're suddenly halfway across the room and you've got no idea how you got there.

Transitions are untraceable (the CD's sequencing is more like wishful thinking), with new songs ghosting in at the perfect moments or sometimes stuck underneath other layers for their entire running time. The mix consists of a number of Kennedy staples, including new and unreleased originals like the stuttering "Project" or the bouncy "Stifle," but it's—refreshingly—not merely a showcase of Kennedy's dubplate muscle, including several choice inclusions such as Levon Vincent's now classic "Late Night Jam." With the exception of a few moments—the massive drop in Burial's "Pirates" or the heart-in-throat suspension of his "Symphonic Refix" of Joy Orbison's "GR Etiquette"—the mix is smooth sailing, propped upright even as it sails through stylistically turbulent waters.

Indeed, while Fabriclive.56 might be a mostly slick ride, it's anything but a safe one; the opening stretch, as it accelerates towards 130BPM, bubbles and percolates through a myriad of house rhythms, almost derailed by the jarring inclusion of the Shangaan Electro producer Tiyiselani Vomaseve, whose cacophonous "Vanghoma" tests the supposed compatibility of "Vanghoma" with its alleged spiritual partner UK bass music. Nor does Kennedy ever stick to one zone; when he's not blending elaborate and stubborn tracks (A Made Up Sound's off-kilter "Demons"), he's throwing in orthodox dubstep—D1's "Subzero"—or the steel-plated grime of MJ Cole's "From the Drop." Kennedy even includes a number of inspiring mashups that have been floating around for a good while, notably the ingenious blend of "Glut" with "Woo Riddim."

Fabriclive.56 is more like a level-headed confirmation, a plateau, than some grand conclusion or victory lap; it offers an alternate view into the mind of one of the most fascinating producers going right now, whose DJing talents are sometimes ignored. There's a distinct personality at work here, as tracks swoop over and under each other and create new multi-layered monstrosities, more than the sum of their parts. While Kennedy's careful and clever mix might not change lives, his installment is both uncommonly strong for the inconsistent Fabriclive series and makes a case for the ongoing integration of "bass music" and what was formerly dubstep into the open clearing of dance music.



Published /
Fri, 18 March 2011



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Tracklist: Pearson Sound / Ramadanman - FabricLive.56
01. Pearson Sound - Hawker
02. Levon Vincent - Late Night Jam
03. Elgato - Music (Body Mix)
04. Marcello Napoletano - Everyday Madness
05. Tiyiselani Vomaseve - Vanghoma
06. Pearson Sound - Wad (fabric Edit)
07. Julio Bashmore - Battle for Middle You
08. Ramadanman - Grab Somebody
09. Ramadanman & Appleblim - Void23 (Carl Craig Re-edit)
10. Pearson Sound - Project
11. Joy Orbison - GR Etiquette (Pearson Sound Symphonic Refix)
12. J Kenzo - Ruckus (Martin Kemp Remix)
13. Fugative - Bad Girl (Lil Silva Dub)
14. A Made Up Sound - Demons
15. Jam City - Night Mode
16. Mr Mageeka - Different Lekstrix
17. Pangaea - Inna Daze
18. Pearson Sound - Stifle
19. MJ Cole feat. Wiley - From the Drop
20. Pinch - Qawwali
21. Joy Orbison vs. Ramadanman - J. Doe Them
22. Pearson Sound - Picon
23. Burial - Pirates
24. Die Barbie Musik Kollektive - Face (Junk)
25. GIRL Unit - IRL (Original / Bok Bok Remix)
26. D1 - Subzero
27. 18. S-X - Woo Riddim / Ramadanman - Glut
28. Addison Groove - Fuck the 101
29. Mala - City Cycle / Joe - Claptrap (Tease)
30. Sigha - Light Swells (In A Distant space)

Pearson Sound / Ramadanman - FabricLive.56

 
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Ramadanman mixes Fabriclive 56

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punksdarwrote
Sat, 13 Aug 2011Fuck yes

aloajudgewrote
Thu, 26 May 2011@Adam420

Man....Ramadanman is the guy who established a night 100% vinyl called Acetate....and this mix is pure dope_I hardly suggest you to go check him & BenUFO at Acetate night (if you got a chance)_Then you'll forget about Robert Hood for one week_And guts were needed to drop Tiyiselani Vomaseve in the middle of a Fabriclive, not easy but big respect

Peace

larissawrote
Sat, 21 May 2011NICE MIX, DANGEROUS BEAT

PerryNelson777wrote
Tue, 26 Apr 2011Solid mix

Adam420wrote
Fri, 15 Apr 2011Music is completely subjective

Adam420wrote
Fri, 15 Apr 2011It's called attention deficit disorder. It strikes mostly those, who use Ableton (and more rarely Traktor).
The only known cure is 2 turntables, a mixer and a stack of records.



Robert Hood Fabric anyone?


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