But really, Monkeytown as a whole is "so many things at once" too. Instead of sprawl it feels like Gernot Bronsert and Sebastian Szary are more deadly accurate than they've ever been, jumping from idea to idea and nailing nearly everything they try. Harsher, electro-tinged tracks like "Evil Twin" and "Humanized" recall their earlier work, but then they're doing the best Night Slugs-style tracks this side of, uh, Night Slugs, with quirky and smooth instrumentals like "German Clap" or the bleepy "Grillwalker." No matter what contemporaries they might be aping, the duo rarely sound like anything but themselves. Monkeytown is Modeselektor dressing up contemporary ideas in their own defiantly angular outfits, and it's usually more thrilling than the people they might be gleaning inspiration from in the first place.
The album is heavy on the vocal tracks, but the duo pick their vocalists carefully and cater to them equally cautiously. Radiohead's Thom Yorke makes a return appearance here on two tracks, but unlike the IDM-ish "White Flash" from the last time around, it feels like the two are going out of their way to make songs that actually sound like Yorke's band. As a result, "Shipwreck" is possibly the best Radiohead track since "Reckoner," all spidery guitars and scattered rhythms. Warp's PVT make a dramatic appearance on "Green Light Go," Miss Platnum emotes all over "Berlin" and is in turn torn and twisted by the duo's slap-happy antics, and Canadian rapper Busdriver's harsh cadence is unnaturally stretched over a glitching bulldozer of a beat.
These are prominent guest spots, and sure to garner Monkeytown some extra attention outside of whatever underground dance circuit might already embrace them; but the duo don't rely on namepower, and the fact that the singer of one of the world's most famous rock bands is all over two of these tracks feels more like status quo than any kind of special event. The same goes for Monkeytown itself—Bronsert and Szary rarely break the mould here but it's instead one of the most accessible and effortlessly enjoyable dance music albums of the year.