Formerly Sankeys Soap, the Manchester venue that re-opened in 2006 as simply Sankeys has had a storied history since its opening in 1994.
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Sankeys turns Madhouse.
Saturday 8 October
Kerri ‘Kaoz’ Chandler one of deep house music’s originators, has been injecting soul into music since the early nineties. He is a house legend, icon, inspiration, key figure, and a true House Music Purveyor. An ambassador of the natural and instinctive 4/4 beat, Kerri’s influences can be traced back to New Jersey growing up in a family of jazz musicians. His father being a respected deejay, provided Kerri with a rich background in the origins of soul, disco and the New York Underground Sound (known also as “Garage” music). Accompanying his father to the gigs, Kerri began playing records at the Rally Record Club in East Orange, New Jersey at the tender age of thirteen. Exposed to such musical creativity, it wasn’t long before Kerri found himself interested in production.
Since the signing of his first single “SuperLover/Get It Off” by Atlantic in 1991, Kerri began producing a prolific body of work that has helped coin him one of the most respected house producers in the world. This has been achieved by remaining true to his style. When listening to tracks such as the “Atmosphere EP” on Shelter Records and the seminal, “A Basement, Redlight and A Feeling” album on Madhouse, one has to marvel at Kerri’s ability to not compromise his unique sound for commercial gain. His ability to blend tradition and innovation produces avant-garde music with soulful roots reaching back into the history of Afro-American music. Tradition as in the soulful roots of Jersey house, innovation as in his use of streamlined sparse arrangements and technology, Kerri masters rhythm and space piecing together vocals and instruments with uncanny precision delivering beautiful monster jams.
A spiritual man, Kerri prays before making a record. Each project is an attempt to inject his free spirit into a groove. In the expanses of his breaks the odd counter rhythm will inexplicably appear for a second and then disappear, creating fleshy excitement, not mechanical repetition. His now legendary bass-lines go from heavy and heady to playful and quirky while remaining deliriously ntoxicating. His fusions, clamped to the beat of his unique thundering kick drum, redefine house music at every turn. His hooks are loving details, paying attention to horn hits, washes of synthesizers, and catchy choruses creating songs with brutal drive. A believer in peace and harmony, Kerri blames soulful house’s positive vibes for its failure to make it commercially, as its openness to influences are difficult for many to accept.
Kerri is fascinated by technology and its application to creativity. He has built his own studio and spends hours creating new EFX units and sound machines. Taking a fearless leap into millennium technology, he has recently innovated new tools and employed creative ideas designed to revolutionize the way we think of traditional deejay mixing. Kerri uses his deejay sets to inject a spirit into the dance floor. More than a mere deejay spinning records, his sets are “live” during which he remixes tracks whenever he can by incorporating , video edits, reel to reels, keyboards, vocalists, percussionists, guitars, violins, horns, projector screens, laser synths or just his own excellent soulful voice. Armed with 2 lap top computers, thousands of music files, his own handmade mini-mixer and a cutting-edge imagination, Kerri has been wowing audiences around the globe while inspiring debate and envy in top industry circles about his new toys. Never straying from his roots, Kerri has proved he’s remained loyal to the underground movement by producing contemporary classics like “Bar-a-Thym” and “Back To The Raw”.
The future is very bright for Kerri who is now signing and releasing productions through his new record label imprints: Max Trax, Grei Matter and Lost Tribes of Ibadan. With such a hot hand, Kerri ‘s the man of the House and undoubtedly will be responsible for many new classics to come.
If you think all house sounds the same, has no soul and is just four to the floor, then I suggest you do some rethinking and check out Kerri Chandler’s latest releases and back catalogue…You’ll be glad you did!
Tornado Wallace is the mustachioed alter ego of Melbourne based producer Lewie Day. His disco meets house productions have found favour on Delusions of Grandeur, murmur and 8bit, whilst most recently his 'Always Twirling' track has been included on the most excellent Secretsundaze compilation mixed by Giles Smith and James Priestly. He's sure to be someone to watch out for in coming months if you aren't already familiar with his work.
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