Radio Slave (rekkids)
Radio Slave ,eller Matt Edwards som han heter, er uten tvil en av de beste techno produsenterna og djs. Ã…r etter Ã¥r har han lagd fete tunes som fÃ¥r alle de feteste lydsystemen til Ã¥ riste! Det blir en kveld med techno og house!
"Matt er en av fÃ¥ artister som nÃ¦rmest har definert sin egen sjanger. Fra Radio Slave kanten har det i stÃ¸dig tempo kommet det ene tunge monsteret, etter det andre, sÃ¥ og si alle over 12 minutter pÃ¥ klokka. Signaturen er dyster, repetetiv, hypnotisk og technoid, men samtidi kosmisk, organisk og perfekt for lange og oppbyggelige house sett. Har du i det hele tatt vÃ¦rt innom en houseklubb vÃ¦rt sitt maltonsalt de siste 5 Ã¥rene har du garantert gÃ¥tt banos til My Bleep, No Sleep, Bell Clap Dance, Eyes Wide Open, Grindhouse, N.I.N.A., I Don't Need A Cure For This eller en av de unevenelig mange remiksene hans." fra Sunkissed bloggen
Kamelkollektivet er med og varmer opp danse gulvet!
No matter what sounds you profess to be your music of choice, chances are, that at some point over the last five years, you will have got your rocks off to Matt Edwards.
As Matthew E he fashions club-based, dancefloor slayers. Under that aegis heâ€™s updated the classic Chi-town, jackinâ€™ sound beloved of house aficionados and layered it with fractured funk, belligerent, oddball beats and mechanical soul.
If Matthew E is all about the Saturday Night Fever, then, by contrast, Rekid is the slower, more deliberate, rhythmical funk of the mid-week mayhem. Its well-intentioned muscular intensity making it perfect soulful sustenance.
Quiet Village is something else all together. A collaboration with long-time musical sparring partner Joel Martin (a vinyl freak, like Mr Edwards, who works in esteemed auction house Christieâ€™s pop department), itâ€™s sample-based music which veers from drawn out disco-not-disco delirium to evocative, under-stated soundscapes.
Sea Devils - you keeping up at the back? â€“ is undeniable electronic pop brilliance. Working with Tom from Cagedbaby, itâ€™s the least niche of Mattâ€™s projects and thanks to Sea Devils alluring pop dance grooves theyâ€™ll no doubt be shagging the upper reaches of the hit parade sometime soon.
Last, but by no means least etc, etc, etc, is Radio Slave. Perhaps Mattâ€™s most instantly recognisable nom de guerre, thanks in part to his inspirational melding of Kylieâ€™s Canâ€™t Get You Out Of My Head to New Orderâ€™s Blue Monday, this is Mattâ€™s DJ moniker and the guise under which he completes his incendiary remixes and re-edits.
However, before such sonic schizophrenia gets you calling for the men in white coats, just feel the quality and consider Mattâ€™s legacy. Fired by the first wave of acid house, Matt gained his musical spurs by partying to dance music that was just that: music you danced to, irrespective of tribal factions.
This was the raison dâ€™Ãªtre he acknowledged when he took to the decks, first at Londonâ€™s legendary Milk Bar in 1992, then onto the, then, recently opened Ministry Of Sound and then to parties across the country, most notably in Wales â€“ where he was a regular at free parties â€“ and in Brighton, his home since 1998.
His love of re-edits, dance musicâ€™s oft-forgotten backbone, led Matt into the studio himself. His own re-edits and remixes, such as the aforementioned epoch-defining re-imagining for Ms Minogue, soon gave way to his own productions and since the floodgates opened thereâ€™s been no stopping the man known as, erm, Matthew E, Quiet Village, Sea Devils, Rekid and Radio Slave.
Heâ€™s released records for Skint, Soul Jazz, Classic, Whatever We Want, and heâ€™s worked with fellow travellers, Belgiumâ€™s The Glimmers. If Matt comes up with another two projects heâ€™ll have enough alter egos for every day of the week.
Psychologists would probably have a field day with him; mercifully, we donâ€™t have to worry about any crisis of identity, we just get to keep on dancing.