Japanese electronic artist, Sugai Ken performs at OTO following on from last year's UkabazUmorezU album on RVNG Intl.
With a melodic cluster dripping into a pool of dark water, UkabazUmorezU’s arrival ripples as an apex in Sugai Ken’s continued construction of a deeply resonant, enveloping sound world. Upon contact, UkabazUmorezU gently and generously unfurls across aural alleys and streets mundanely but mystically detailed with recontextualized Japanese rituals and tradition.
Sugai’s compositional language took its most cohesive form in the producer’s almost decade long career with the 2016 album On The Quakefish. Evolving the sound design intuited on 2010’s ToKiShiNe and 2014’s Tada, Quakefish utilized an all-seeing, all-knowing edit for wider screens and wilder properties. The sable stage set for UkabazUmorezU is both bottomless and forgiving, a rich soil for new experiments to grow in Ken’s self-described “style that conjures [the] subtle and profound ambience of night in Japan.”
A lived experience of traditional Japanese music’s conversation with environment, and vice versa, forms the melodic make-up and metaphysical philosophy conditioning UkabazUmorezU. Upon imagining a landscape, Sugai decomposes the image (and the images within the image) and replaces it with a sound representation – an artifactual terrain, tethered to but abstracted from the natural world.