2 areas, 3 spaces. Underground maze.
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(From RA) Given his releases on some of techno music's most prominent labels, many will already be familiar with Monoloc.
Growing up in Frankfurt, the German native spent his earlier years emerged in the city's punk scene. Only around the age of 16/17 did he become interested in electronic music, inspiring him to start mixing records at birthday parties and bars around the city. Production didn't come until several years later: set on making the music he was playing out, he hired out his first studio space and spent the ensuing six years searching for his own sound before sharing a string of releases through 2008 and 2009. “It was the first time I had showed my work to anyone, ” he says. And this proved only to be the start: having become friends with Chris Liebing's CLR crew, he went on to release several EPs and his debut LP on the label, quickly rising to acclaim through his brooding, sophisticated blend of house and techno. This was, he says, an invaluable period in his career during which refined his both his style and sound as a producer and a DJ.
Slow to start, perhaps, but further releases came quickly: having relocated to Berlin in 2014, he captured the attention of Dixon and Âme who included his "Flaneur" on the Innervisions Secret Weapons Part 7 EP; since then, he's continued to add to an impressive discography, sharing music through Hotflush before dropping a poignant, leftfield LP on Rødhåd's Dystopian in 2016—a captivating release that marked an evolution in his sleek and punchy sound. It was termed a “jewell” in the Berlin label's “crown” by Mixmag. More recently, he contributed a track to Tale of Us' Afterlife compilation.
As a DJ, too, he continues to impress with his driving and lo-slung selections. Having only started touring in 2010, he now performs at some of Europe's leading festivals and clubs — including, among many others, Melt, London's Fabric, and Awakenings. In addition to this, his ongoing affiliations with the above labels make him a regular guest at Afterlife and Dystopian events.
於是Monolc學習放歌，成為DJ，足跡很快就踏遍法蘭克福的舞廳與派對。很快的他也購入合成器，在法蘭克福藝人群聚的地段租下工作室。但他並未很快的發表作品，而是默默沈潛六年，以創作尋找自我。一直到2008 - 2009年間，Monoloc費心打磨的成果才終於呈現於世人面前。
這一系列作品立刻引起眾多藝人矚目，其中包括了德國Techno悍將Chris Liebing。由於Chris Liebing的賞識，Monolc在他旗下廠牌CLR發行了一系列EP，並在2012年發表個人首張創作大碟《Drift》。這是Monolc終於將自我聲音美學精鍊成形的一刻。
從學步到起飛或許花了Monolc不少時間，但他接下來的步伐越來越快了。2014年他由法蘭克福轉戰世界Techno之都柏林，結識Dixon、Âme與Tale Of Us等人，因而受邀在Innervisions與Afterlife的合輯中發表單曲。而後他在Rødhåd的廠牌「Dystopian」發表了專輯《The Untold Way》與EP《Drought》，也都獲得相當好的評價。
▲ TICKET :
超級早鳥 - 800 ( 已完售 ）
預售票 - 1000 (5/1 - 6/15 限量100張）
現場 - 1300
█ 英文購票【English service 】
★ Sanny Kuo
★ 台北人體移動售票亭．Jen's Ticket Booth
真理活花 Jennifer Yeh 【 English Service 中英文服務】
★ Aben Hong 0981-355346
1.Please note that our activities are completely banned from recording.
The crew will cover the lens before entering the venue.
2.You must have BLACK top on to enter the venue. （80% Black） Your shoes, pants and accessory could be any color. （You are allowed to take off your top !）
Sat, 24 Oct 2020
Fight Back to School
Sat, 24 Oct 2020
⊥ 百┃練┃成┃鋼 ⊥
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Fri, 6 Nov 2020