Sunday Love, April 28th • Green Room 4PM
Advance Tickets on sale Friday, April 12th @ noon.
Tony Humphries is a true Renaissance Man in the field of dance music. With a number of gold record releases, legendary residencies at Zanzibar and Ministry of Sound, his labels Yellorange and Tony Records, as well as acclaimed radio shows on KISS FM and HOT 97, it is no surprise that Tony’s 35+ year career landed him as a ‘King of House’. Continuing to influence the up and coming generation of electronic music through both his musical achievements and dedication to the scene, seeing this true maestro behind the decks is always a treat. He is joined on this day by DC’s own fashionista DJ Heather Femia.
Tony Humphries (NJ)
Heather Femia (DC)
When thinking about Tony Humphries, you might be reminded of his epic stint at KISS FM as one of its greatest mixmasters, his residency at one of the greatest US clubs Zanzibar, his gold discs from Indeep to Janet Jackson, or even his legendary eclecticism. Tony is all of those things and more. Decades later, Tony is as restless, questing, and searching for new challenges as ever.
Tony Humphries has been DJing nearly 35 years, an incredible achievement that in any other industry would be rewarded with a carriage clock or service medal. His big break came through a chance meeting with Mastermixer Shep Pettibone at the offices of Prelude Records. Tony handed the maestro a tape and the rest is history. Humphries’ star rose as his KISS FM show (and later HOT 97) lasted for decades.
Although Humphries was born and raised in Brooklyn, NY, he has long been associated with New Jersey and due to his long-held residency at Newark’s Club Zanzibar that began in 1982. “It wasn’t like going to a house club, everything was intertwined,” explains Tony. “The hours were long, so obviously you didn’t want to hear ten hours of straight house music. If you’re going to pay $15-20 to hear this guy, you want to hear the whole damn spectrum. You had to come with everything possible. Talking Heads and The B-52s don’t sound like Zanzibar/Garage records, but they were. I think that’s what the Zanzibar’s appeal was.”
Although Tony is often seen more as a DJ than a remixer, his forays into the studio have always been well received. His remix of Mtume’s ‘Juicy Fruit’ has been sampled on several big hip hop and R&B hits and Fresh Band’s ‘Come Back Lover’ is rightly regarded as one of the best disco songs of the 1980s. He has gone on to remix scores of artists from Soul II Soul to Janet Jackson (which earned him a gold disc). Poignantly, Tony was enticed back into the studio in 2013 by Frankie Knuckles who asked Tony to do a swap mix for a track he’d been working on. As Frankie told Tony, “You’re a great remixer. I just thought folks needed to be reminded.”
His reputation in Europe, established via illegally copied tapes of his KISS shows, grew hugely after successful jaunts to influential parties like Danny Rampling’s Shoom & Norman Jay’s High On Hope in London. He was coaxed back to Europe in the early ’90s for residencies at both London’s Ministry of Sound and Echoes in Rimini on the Italian Riviera.
Tony’s first label venture Yellorange was launched in 1998 and ran the gamut of styles, from the soulful vocals of Meli’sa Morgan, Miguel Plansencia’s Afro-Cuban flavors, through to Soweto Funk’s Italo-grooves. His latest venture, Tony Records, is, “showcasing younger artists and producers doing soulful music in a modern form.” Check Tony’s own recent release Housework EP, which fuses blues, gospel and worksongs into a brilliantly contemporary setting (or even his new mix compilation with DJ Spen, Quintessentials, demonstrating his expansive style).
In 2009, Body & Soul promoter John Davis brought Tony together with ‘Little’ Louie Vega and David Morales for a ten-hour session at New York’s Webster Hall that was appropriately dubbed the Kings of House. Little did any of them anticipate the success that this would be, turning into a worldwide phenomenon that has straddled continents and cities, as well as regular trips to the likes of Pacha Ibiza.
What strikes anyone when meeting Tony Humphries is not what he’s done or where he’s been, but where he’s going. “Growing up in Boston, our biggest influence was the New York house scene and no one embodies this spirit more than Tony Humphries,” explains Soul Clap’s Eli Goldstein. “For us, the gospel, deep, tribal sound he created at his Zanzibar residency reached us through the many remixes and tracks named after the legendary club. We finally had the honor of opening for Tony this year and we were blown away by his ability to represent the old, while pushing a unique, modern house sound. There is clearly only one Tony Humphries!” Amen to that.
DJ HEATHER FEMIA:
As the Corporate Fashion Director for Nordstrom, Heather created soundtracks to designer fashion events across the country. Trend hunting in night spots, in great fashion cities, was part of the job. Heather's love of dance music came from attending iconic New York parties such as Body & Soul, Sound Factory, Shelter, and the Roxy. In Washington Tracks, was her regular spot. After a decade in fashion, Heather began focusing solely on music about 15 years ago. During that time, she has been responsible for the musical backdrop to high profile parties in Washington's grand locations such as on The National Mall. In New York, Heather spun for an event at Grand Central Station. She has even played under the tents for Cirque de Soleil. Currently, travel to music hot spots continue to inspire. Her show, Fluent, airs monthly on the Ibiza air ways, on Ibiza Live Radio. It features ethnic sounds from downtempo to tribal house.
Fri, 12 Apr 2019