Ryan Elliott has a long-established reputation as one of the Detroit area's most adept techno DJs. Releasing his first tracks in 2007 with Ann Arbor, Michigan's Ghostly International label, he soon became half the A&R management on its techno offshoot Spectral Sound (alongside its flagship artist Matthew Dear). After over a decade of working at the local Ford Motor Company while increasingly playing to weekend crowds at clubs and festivals around the world — from New York’s Guggenheim Museum to Barcelona’s Sonar — in 2009 this "DJ's DJ" moved his bottomless record collection to Berlin and soon secured a residency at the city's most renowned club mecca, alternating each month between techno and house at Berghain and Panoramabar.
Influenced by hometown heroes like Jeff Mills, Robert Hood, and Mike Banks (Mad Mike) along with international labels like Perlon, Playhouse, and early Kompakt, Ryan Elliott’s sound remains unchanged even after his relocation: bassline-driven techno and house reduced to their essences. “Berlin and Detroit may not look the same, but they feel the same,” he says. “The connection isn’t just in the music, but also in both cities’ rough edges and honest hearts.”
presented by Deeper Sounds HK
and Humdrum Hong Kong
with DJs Casey Anderson & Ocean Lam
$150 at Door (no pre-sale tickets)
Ryan Elliott 一位早已成為在美國Detroit 譽為最拿手的Techno DJ之一。於2007年，他同 Ann Arbor 在 Michigan`s Ghostly International label 發行第一首歌，接著很快就成了Spectral Sound 其中一個 A＆R management 的成員，而另一位就是 Matthew Dear。由New York’s Guggenheim Museum 至到Barcelona’s Sonar Festival, 每到週末都在世界各地的不同的 Clubs 打碟。
2009年, 連同他多不勝數的黑膠珍藏搬遷到 Berlin , 極速成為殿堂級的 Berghain & Panorama Bar 駐場DJ 交替著他獨特, 深不見底的 Techno & House!
Ryan 的音樂受著家鄉英雄 Jeff Mills, Robert Hood 和 Mike Banks (Mad Mike) ，Label 如 Perlon, Playhouse 和早期的 Kompakt 影響，即使在他的搬遷後, 聲音保持不變! 仍然係以 Bassline 為主的 Techno 和 House 的幫派.
他說：“Berlin 和 Detroit 可能不會看起來是一樣的，但他們有同樣的感覺，”。“ 連接的不僅僅在音樂, 還有在這兩個城市的粗糙邊緣感覺和誠實的心。”
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