The Turkish artist opens new temporal and textural dimensions on this immersive ambient LP.
On her second album, Ecce Homo, Gorgun explores sonic and theoretical motifs she's only touched upon before, to striking effect. 2016's Aphelion was comprised mostly of ominous tones. Last year's collaboration with Ceramic TL, Perfect Lung, was a maximalist full-length that riffed on environmental degradation. Ecce Homo falls somewhere between the two LPs. Its electroacoustic compositions drill deep into your brain, always with a creeping sense of physical and existential pressure.
Ecce Homo is tense and dynamic, changing from the micro (clicks, brief samples, single notes) to the macro (organs, concentrated filters, tenuous changes in melody) at a moment's notice. But the macro moments are where Gorgun really thrives. The grating strings and chaotic vocal ambience of "Afterburner" are terrifying in their intensity. The subtler "Tserin Dopchut" feels like a windstorm, moving suddenly from piercing frequencies to heavy static chaos. "Bohemian Grove" samples an Alex Jones film from 2000, in which the right-wing conspiracy theorist tries to sneak into an elite Northern California gentlemen's club to prove the existence of occult happenings. The track gradually becomes more glitchy and unhinged, to the point where Jones transforms into the satanic demon he's warning us about.
The LP's calmer moments are still heady. "Seneca" drifts with a glacial beauty. "To Cross Great Rivers" re-contextualizes the brightness from "Tserin Dopchut" and "Le Sacre I" into music that soothes and surrounds. Throughout the course of Ecce Homo, no sound consistently holds the same space, mood, or tone. Gorgun asserts this as her method from the outset—the album opener, "Neroli," refracts multiple facets of sound, like a slowly rotating crystal catching the light. Throughout the record, there are gestures toward what has already passed and what will eventually come. With its constant shifts in energy, Ecce Homo succeeds in opening up new temporal and textural dimensions.