Steffi and Martyn curate a more bumping edition of the downtempo compilation series.
Air Texture Vol VI is different from past editions in two distinct ways. Instead of presenting their picks separately, Steffi and Martyn have curated this one together, and largely move away from the tranquil textures of the first five compilations—Shed's plaintive "When The Faces Went Down" is the only ambient-leaning track here. Instead, they call upon an impressive cast of producers to cover a range of styles and tempos. Tracks from Mosca, dBridge and Actress occupy the sub-100 BPM territory. The former's "Kidney Version" is a swaggering collision of dancehall drums and low-end bassweight primed for warm-up sets. Actress's "Watercolour Challenge Part II" offers one of the compilation's most subdued moments, its chirpy synths letting in the slightest hint of melancholy over an unfussy, '80s hip-hop-style drum loop.
Elsewhere, Air Texture Vol VI explores the more melodic reaches of electro. With its minimal, halftime kicks and soaring chords, DJ Stingray's "Last Shift" is a stark contrast to the steely electro the producer has released in recent years. FaltyDL's "Going West" pairs serene pads with Detroit-schooled synths and quaint spoken-word samples, making for one of his strongest moments on record in years. 214's "Shelby" is an understated slice of electro for introspective moments on the dance floor.
Steffi and Martyn have said that they hoped to touch upon "both established producers and new talent." Among those newer names is Afik Naim, whose only other release to date has come via Steffi's label, Dolly. His track, "Louie's Beat," is a rolling piece of broken techno that brings the compilation closest to peak-time club fare. Late Night Approach, another act with ties to Steffi, having released a 12-inch on her Klakson label last year, deliver breakbeats and drone-like synths on "The Naus Galaxy." Novocanemusic, a Rotterdam-based producer with no previous releases, contributes "Steelmill," a track whose brisk pace is offset by a leisurely, half-step beat pattern.
Air Texture Vol VI also finds room for the bass-heavy combination of techno, UK garage and dubstep that Martyn has been exploring for the last decade. His contribution, "Moves," wouldn't have sounded out of place on his most recent LP. "Into Bleeps" from Shed, a producer with whom Martyn shares some musical headspace, revolves around sparse, 2-step drums and similarly sentimental synths. The dubstep producer V.I.V.E.K.'s "Sad Smile" moves away from the rib-rattling bass frequencies he's known for, its twisted UK garage rhythms complimented by dubby bursts of melody. Compilations like this, with unreleased material pulled from so many different sources, don't always work. But with Steffi and Martyn handling curation, Air Texture Vol VI finds a number of techno and electro's finest names at the top of their game.
Mon / 22 Oct 2018
01. Synkro - Observatory
02. Appleblim - Unfound
03. V.I.V.E.K. - Sad Smile
04. Answer Code Request - Pasiris
05. Shed - Into Bleeps
06. dBridge & Lewis James - Verloren
07. Tracing Xircles - Kaieteur Falls
08. Samuel Pling - Bottomfeeder
09. Herron - Touching
10. Steffi - Between Form And Matter
11. Afik Naim - Louie's Beat
12. Mosca - Kidney Version
13. Stingray - Last Shift
14. Shed - When The Faces Went Down
15. Novocanemusic - Steelmill
16. Actress - Watercolour Challenge Part II
17. Mesak - Sauhu
18. FaltyDL - Going West
19. 214 - Shelby
20. As One - The Ladder
21. Total Science - Cowbell
22. Basic Soul Unit - Light Out
23. Barker - Terminal
24. Late Night Approach - The Naus Galaxy
25. Martyn - Moves
26. KiNK - Tal Atonal