Club-wrecking drum tracks with a spiritual bent.
The LP's esoteric cosmology is captured in its stirring melodies and Eastern instrumentation, along with rhythms inspired by traditional belly dancing. "Jinn" is named after spirits present in Islamic theology, and the track's dentist-drill squalls might nod to the mischief-making nature sometimes ascribed to them. "Hossam" is named after the Egyptian percussionist Hossam Ramzy, renowned for his work with belly dancers. It's a fitting tribute—Barzacchini juggles complex rhythms with the swaying arc of a skilled dancer.
Some of Inner Worlds draws on the recent history of UK dance music. "Prana Riddim (Part 2)" sounds like an early '10s Funkystepz tracks. "Realm Of Jabarut" has shades of Joe's "Claptrap" and Roska's "Squark," all whistly riffs, jittery handclaps and dry drums. But the album's highlight is actually drumless. "Safi" uses fluttering arpeggios that gracefully rise and recede underneath Miragal's vocals, sung in English and Arabic. The results are stunning, especially with the high, ululating vocal—not unlike something you'd find on a UK garage track—that closes it out. That Barzacchini is able to make "Safi" seem so substantial without percussion shows there's more to TVSI's sound than club-ready drum tracks.
Inner Worlds opens up Barzacchini's music without altering its foundations. It's full of the subtle details and sleight-of-hand-arrangements that already make his music great, written with a new sense of depth and consideration. With its emotive heights, addictive rhythms and sumptuous production, Barzacchini makes the transition from club producer to album artist look easy.